AWARDS

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Outstanding Lighting Design of a Musical for Anastasia The Musical - 2025 - Montclair Foxy Awards

Best Lighting Design for Monty Python's SPAMALOT - 2014 - BroadwayWorld New Jersey

 

REVIEWS

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“The lighting of Benjamin Weill accents the comedic, sentimental, and dramatic moments played out on the deck of the ironically named ship.”
— BroadwayWorld.com, Off-Off Broadway -- HMS PINAFORE, The New York Gilbert and Sullivan Players
“Sets, costumes and visages all look extremely well under Mr. Benjamin Weill’s deftly handled lighting and all unite to give a sort of picture-book aspect that is most appealing.
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— Moshe Bloxenheim, Broadway Kingdom -- THE MIKADO, New York Gilbert and Sullivan Players
“Benjamin Weill’s lighting used a generous color palette for the operetta’s various acts.”
— TheaterScene.net -- PRINCESS IDA, New York Gilbert and Sullivan Players
“......Costumes and Benjamin Weill’s lighting are also top-notch.”
— The Epoch Times -- RUDDIGORE, New York Gilbert and Sullivan Players
“Lighting Designer Benjamin Weill did a fine job blending the hours from daylight into sunset, and finally, the moon and stars.”
— DC Metro Arts -- THE PIRATES OF PENZANCE, The New York Gilbert and Sullivan Players
“Everyone was beautiful, which is a great thing to be if you’re performing light, happy music, and Benjamin Weill’s excellent lighting made the most of every scene. ”
— Pubsbooks.com -- IOLANTHE, New York Gilbert and Sullivan Players
“The lighting, by Benjamin Weill, may be the best I’ve ever seen at Surflight.”
— The Sand Paper -- LES MISERABLES, Surflight Theatre
“....skillfully utilizing footlights and cross lighting to cast eerie shadows - some extending onto the auditorium walls”
— Broadwayworld.com -- JEKYLL & HYDE, Surflight Theatre